Ambulo ergo sum: Nature as Experience in Artist's Books Colorado River 1: (only begin) A DESCENT

1: (only begin) A DESCENT 2: FREE BODIES 3: collective subjectivities 1 4: OVERTURE TO DAWN 5: collective subjectivities 2 6: INTO THE HOT 7: solitary subjectivities 8: TROUBLED SEA OF NOISES AND HOARSE DISPUTES 9: collective objectivities 10: IMAGINARY BIRDS SAID TO LIVE IN PARADISE 11: postscript: the ballad of john and yoko 12: RAIN FALLING DOWN ON OLD GODS Index Reviews

Beyond and behind Scottish Style:

Von der Konstruktion neuer Roboter bis zur Organisation von großen Gemeinschaften gibt es keine bessere Inspirationsquelle als die Pflanzen

der wahren Gemeinschaft der Suchenden das pataphysische Lachen über die Begrenztheit des eigenen Seins

Welche Arten von Blättern und Blüten gibt es überhaupt

Ambulo ergo sum: Nature as Experience in Artist's Books Colorado River 1: (only begin) A DESCENTFor the Conceptual and Land artists of the 1960s, nature ceased to be an object of representation. Instead, these artists developed a relationship to nature that was driven by conceptual, literary or scientific concerns, while other artists, such as Richard Long and Hamish Fulton, sought ways of establishing a more active relationship with the landscape, most famously through the experience of walking. It is perhaps unsurprising that such a solitary